halfegret

Now the lower half of the raku tile panel has been carved. These are orange canna lilies, sketched right outside the studio window. (I love those big, curving leaves.)  The snowy egret appears in the top half of the design… you’ll have to come back tomorrow to see him. The entire panel will be carved and ready to begin a slow drying process tomorrow evening.

This 44-inch panel, glazed and raku fired, will be auctioned Oct. 26 at Phantasy of the Arts, an annual fundraiser for the wonderful Fairhope Educational Enrichment Foundation. The foundation has awarded more than $247,000 in classroom grants so far. Need more information about this event? Click HERE.

egretFEEFpanel1

I’m in the preliminary stages of a large (44 inch tall) carved raku tile panel, an image of an egret, canna lilies and palmetto. The design is a combination of botanical and bird studies from my nature sketchbook — I like to draw my subjects first, to get to know their angles and curves better before carving them into clay.

The raku tiles are individually rolled out on a slab roller, compressed energetically with a wooden rib, then trimmed to size with a needle tool. I work slowly and carefully, with the goal of having all the edges match up as nearly perfectly as I can make them.  Then I’m ready to draw the basic design in the tile surfaces, which I do freehand with my needle tool. Here’s a section of a canna lily:

egretFEEFtile2

Finally, when the whole design has been drawn, I will cover the panel lightly and let it rest overnight. By tomorrow afternoon, when the tiles have lost their stickiness, they’ll be just right for carving the relief into the clay surface. See you tomorrow!

egretFEEFpanel3

tilesontable2

…is that my tiles dry out very quickly. Even though the autumn equinox is less than two weeks away, the thermometer still hovers around 90 degrees each afternoon. I can open the studio windows a little and let the warm breeze play across the surface of freshly-made raku tiles, knowing that in just a few days they’ll all be ready for the bisque kiln.

My studio assistant, Atticus, supervises the tile-drying process in between his frequent naps:

atticusstudio

horses

I’m mulling over an idea for some raku horses, and I always think better with a sketchbook and a Sharpie. I’ve loved drawing horses for as long as I can remember. In the third grade, I carved galloping horses into the desks of my classmates with a ball-point pen… the kids loved them, but my teacher wasn’t as impressed. She sentenced me to an entire year of refinishing the desks during recess, with the assistance of a frail boy who had to stay indoors because he was recovering from a head injury. We had fun sanding and sealing the desks, one by one, while all the other students had to run laps and do jumping-jacks out on the athletic field. Sometimes crime DOES pay.

Some work from my Cabbage Patch Kids days

Some work from my Cabbage Patch Kids days

I’m hosting a workshop for aspiring authors and illustrators (as well as teachers, librarians or anyone else who loves children’s books) on Sept. 19 at my studio in Mobile, Alabama. This will be a Saturday afternoon workshop, from 1:30 until 5:30. The cost is $45, and includes illustrated take-home resource materials. Come be informed and inspired!

The workshop covers:

  • current trends in the children’s book market
  • layout and page design
  • copyright protection
  • how to write a query letter
  • what to put in a submissions package
  • using images to move a story forward
  • what should be included in a publishing contract
  • how to build an illustration portfolio
  • child-oriented magazine and greeting card markets
  • individual feedback

This is always a very interactive workshop, with lots of questions and discussion, all in an informal setting. It’s also an opportunity to meet other people in the area who have an abiding interest in children’s books. And it’s just plain fun.

For more information — or to reserve a spot in the workshop — email me at studio@valwebb.com or send me a Facebook message.

(Added on Aug. 29: The contest has ended. Congratulations to Rain Keane, and please watch for next month’s giveaway.)

bookfree

Some of my favorite gardening books are art books, as well.  A Growing Gardener is New York city artist Abbie Zabar’s  illustrated journal of a year in her rooftop Manhattan garden. Pruning topiaries, transplanting seedlings, the nesting habits of mockingbirds — it’s all here, drawn in exuberant colored pencil or elegant pen-and-ink.  Page by page and plant by plant, urban gardener Abbie manages to create an elaborate little habitat in her 200-square-foot piece of paradise.

bookinside1

marginbird

Leave a comment after this post, and in one week I’ll let random.org select the winner of a copy of A Growing Gardener. I’ll even tuck a little surprise from my art studio inside the front cover. Good luck!

herblady

What I know of the divine science and Holy Scripture I learnt in the woods and fields.    — St. Bernard, 12th Century sustainable organic gardener

Today is the feast day of St. Bernard. When I think of St. Bernard, I think of wormwood. And when I think of wormwood, I think of the Herb Lady and an August morning 25 years ago.

I lived in the mountains then, in a little house on a ridge eight miles from the nearest small town. I was seven months pregnant, had a big garden, a two-year-old, a four-year-old and a difficult marriage. Because the house was isolated, had no phone or television, and my husband was only home on weekends, I spent most of the time alone with two young children and the gentle embrace of the surrounding mountains for company. Money was tight, so I drove into town just twice a month for supplies and a fresh stack of library books. We read, hiked and gardened while it was warm. When it got cold, we read and I chopped wood. The girls played in the creek to the west of us, or in the pasture to the east. It wasn’t a bad life, but it could sometimes be awfully lonesome.

During one of my bi-monthly supply runs, a shopkeeper told me about the Herb Lady.  “She grows all kinds of herbs up at her place. Herbs to cook with, herbs for medicine, everything. And this time of the year, she’s dividing the plants and she’ll send you home with bags full of roots and cuttings. I’ll draw you a map,” the woman said helpfully. In my mind’s eye, I pictured an ancient, plantwise granny… someone who might welcome a visitor interested in herb lore. The shopkeeper paused from drawing a complicated series of squiggles.  “It can be a little bit hard to get to,” she said. “ What kind of vehicle you got?”

But for a chance to visit with a real, live adult person and have a conversation that went beyond a cash register transaction, I was prepared to navigate some wilderness. Two hours later, miles from the place we had turned off the paved road, our little station wagon bucked and slid along a muddy track through the woods. It was unusually quiet in the back seat, where two small passengers frowned as tree branches scraped the sides of the car. I hoped the map drawn on the back of my hardware store receipt was accurate. I hoped that if it wasn’t, I would manage to get the car turned around on the ever-narrowing trail. I also hoped (perhaps most of all) that if my previous two hopes didn’t work out, the mountain panthers I’d read about in my latest library book were well and truly extinct.

The thick canopy overhead parted abruptly, spilling sunlight down on us, and the trail opened up into a cozy little valley. The Herb Lady’s tiny farm looked like a Disney movie set: red barn, white cottage, antique pickup truck. A fat tom turkey came strutting up the driveway to scrutinize us with his beady eyes. And then there was the garden.

Herbs climbed trellises on three sides of the cottage, spilled over the porch railings and sprawled in rock-walled beds . It was August and the plants were at their peak maturity, so it was easy to pick out the familiar culinary varieties – dill, chives, a vast mass of Greek oregano, four kinds of basil — happily growing in the largest and most diverse herb garden I had ever seen.

The Herb Lady was around back, knee-deep in a drift of comfrey, and she greeted me as if we were old friends.  She wasn’t a granny after all.  All that herb knowledge was walking around in a slender, twentysomething frame with red garden clogs and a halo of frizzy blond hair. She poured mugs of mountain sumac “lemonade” for each of the girls, then took me on a grand tour of the herb beds. For nearly two hours, I enjoyed a wonderful, adult-vocabulary-level conversation about planting, cultivating and harvesting herbs. Every few minutes, the Herb Lady stooped to pull apart a root system or separate a clump of stems, and she handed me the new plant wrapped in a piece of newspaper. By the end of our herb walk, the ingredients for a very respectable kitchen garden lay stacked neatly in the grass.

The last plant she showed me was a thick, feathery profusion of silvery stalks and leaves. It was strange and beautiful, and it was taller than I was.

“This is wormwood,” the Herb Lady said. “Artemisia absinthium. But I only grow it for historical interest. I can’t give you any to take home.” And then she told me about this powerful, bitter herb: a popular medieval remedy for worms, as its name implies; a distant cousin to sagebrush; an ingredient in absinthe, a notorious drink in nineteenth-century Europe; an herb associated with grief and mourning in cultures all over the world. Finally, she pointed out, it repels fleas and moths — which is why she grew it just outside her back door.

“If you’re Catholic, you might be interested to know that wormwood is part of the story of St. Bernard,” the Herb Lady said. I wasn’t Catholic, but I was interested in the story anyway: frail and pious, Bernard was only 22 when he was made abbot over 12 other monks. They were sent to found a new monastery in the desolate Valley of Wormwood, in medieval France. For years, the little group lived on wild herbs and water while they struggled to clear enough of the forest to plant the garden that would eventually sustain them. The garden and the monastery were successful, and the monks’ simple devotion attracted and inspired a large number of people. Faith, patience and a garden were the only tools they had at their disposal, but that was enough.

Later, I drove home on the narrow mountain roads with two little girls asleep in the back seat and a car that smelled like a giant bouquet garni. With hours of happy conversation behind me and hours more of happy gardening ahead, I remember thinking that even in the Valley of Wormwood, there must have been a few really good days.

AsiaticLilyBox

Tropical Storm Claudette is just offshore — not necessarily a bad thing, considering that parts of our state are in need of rain — but the clouds stayed away long enough to allow me to fire the raku kiln this evening. These ivory Asiatic lilies were in the Perfect Man’s cut-flower garden in April. I sketched them in my notebook then, and later carved them on the surface of this handbuilt pottery box. 

Folklore says that if you dream of lilies during the summer months, you will be prosperous and fertile. Dreaming about lilies in the winter, on the other hand, is a serious premonitory no-no. 

Personally, my favorite lily is this one: my granddaughter, Lily Milne, 2.

lilymilne

orange canna study

Most of the cut-flower garden has bloomed itself out for now, but the Perfect Man’s orange canna still provides a welcome blaze of color in the front yard of the studio cottage. I painted this little canna study from a quick sketch made yesterday afternoon… when you’re drawing flowers in the sun on a 95-degree day, quick  is the best way to draw!

Evenings, we are turning the far end of the vegetable garden in preparation for planting fall beans next week.  I need to shift the summer compost bin contents to the beds and finish pulling down the spent summer bean vines. The herb  need attention.  The trellis frames need to be restrung so they can hold up our winter squash. And what about all those peppers waiting to be picked, chopped and frozen? Little by little, it will all be done.

HeartKitty

My mom, the bravest person I know, was diagnosed with inflammatory breast cancer four months ago. About to have her sixth round of chemo — with surgery scheduled for early September – she is navigating this strange new landscape with her usual upbeat enthusiasm.

But watching her journey has made me more aware of the prevalence of this disease. And when Anne Leuck Feldhaus posted the following note on Facebook this week, I wanted to help somehow:

Anna Millea, a longtime Guild and Artful Home artist, is fighting breast cancer — again. The disease has returned aggressively and is now in her bones, requiring an extreme sixteen rounds of chemotherapy. She has no insurance, having been deemed uninsurable due to her “pre-existing condition.”
 Artful Home will hold a 5-day online event, “Hearts for Anna”, August 12-16, 2009 in which miniature artworks, no larger than 5” x 7”, will be sold. The items will be sold first-come, first serve, with all items selling for $100 on Day 1, $75 on Days 2 – 4, and $50 on  Day 5.  All money will go to a fund that goes directly to Anna Millea to help pay for her medical bills.

 Wonderful, original artworks from across the country have been donated for this special sale. You can see them all here.

The sale will take place at http://artfulhome.com starting Aug. 12.

Please consider making a purchase, and pass this message along to others who love beautiful handmade things. Thank you!


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