I always include chickens in my online courses on drawing and painting birds. There are so many things that make a hen fun to draw — scaly toes, fierce beady eyes, all those feathers — and everyone has a basic understanding of chicken anatomy. This lovely girl was a demo for the current session of Birds in Watercolor and Beyond.
I know, I know… ink and gouache resist was supposed to come several weeks later in my course schedule for “Birds in Watercolor and Beyond.” But I just couldn’t wait to share it. My all-time favorite painting technique, its inky outlines and sudden transformation (as the result of spraying it with a garden hose, the best part of the whole process) remind me of my years spent carving colorful raku tiles. There’s more information on the process in an older post.
I’m in the lake country of central Florida this week, painting some of the local avian citizens in preparation for the upcoming online course, Birds in Watercolor and Beyond. I sketched these sandhill cranes, an adult and a juvenile, this morning. Now I’m making a quick color study in watercolor and white gouache. (I’ll post another image when it’s finished.)
Sandhill cranes are abundant here: they stalk along the roadsides and peer in through patio doors. They make a rapid, beeping call like a flock of chatty space aliens. At four feet tall, they can easily look into your car window while you wait in line at the drive-through. They are ideal drawing subjects.
…and they’ve been keeping me very busy over the past few weeks, as my “Draw and Paint Fairies in Nature” online course rolls along. I’ll soon be turning my attention (and my pencil) back to other subjects. I’ll re-offer “Drawn & Decorated Watercolor Lettering” beginning April 28, and “Birds in Colored Pencil” beginning May 12. Yay!
What do you get when you combine figure drawing, plant/animal/insect sketches, basic watercolor techniques, drawing natural habitat — then season the mixture with fairy tale illustration? An interactive online course called Draw & Paint Fairies in Nature, which begins next week. There are still a few places left in this work-at-your-own-pace, personally guided drawing adventure. Here’s the sequence of our 10 lessons — the “Draw” segment of each is done in students’ sketchbooks, and the “Paint” segment is done in simple watercolor with a bit of colored pencil:
Lesson 1: Where do fairies come from? Draw: Val’s four-step sketch technique, infant proportions, simple facial features, sketch exercise. Paint: Using gouache, making skin tones, glazing and lifting color, baby fairy project.
Lesson 2: How do fairies fly? Draw: Toddler proportions, drawing different kinds of wings, sketch exercise. Paint: Very young fairy in flight.
Lesson 3: Why do fairies love flowers? Draw: Six-year-old proportions, drawing favorite flowers, sketch exercise. Paint: Garden fairy child.
Lesson 4: What do fairies wear? Draw: Older child proportions, creating clothing from nature, creating clothing for fairy royalty, drawing fabric, drawing fairy hats and caps, sketch exercise. Paint: Your own fairy finery.
Lesson 5: Where do fairies live? Draw: Teen proportions, sketching fairy habitats, sketch exercise. Paint: A fairy at home.
Lesson 6: Why do birds allow fairies to ride on their backs? Draw: Adult female fairy proportions, drawing birds, drawing the seated figure, sketch exercise. Paint: Fairy riding a favorite bird.
Lesson 7: Who are the fairies’ other friends? Draw: Adult male fairy proportions, drawing small woodland creatures, sketch exercise. Paint: Fairy with a furry friend of your choice.
Lesson 8: Can fairies live in the water? Draw: Water sprites and naiads, drawing fins and scales, sketch exercise. Paint: Water sprite painted over a toned color wash, a trick for creating bubbles, creating very unusual skin tones.
Lesson 9: Are fairies always young? Draw: Older adult proportions and features, how to show age and wisdom, how to draw gray or white hair, sketch exercise. Paint: A fairy godmother.
Lesson 10: Are all fairies good? Draw: Expressive faces and actions – how to show a sly or mischievous nature, how to tell a story with your drawing, sketch exercise. Paint: A trickster fairy.
I’ve been having fun, creating examples for different watercolor techniques as I build up material for the Draw & Paint Fairies online course. This little naiad (water sprite) is balancing on a bubble that resulted from dripping alcohol into a layer of ultramarine blue gouache. Instant gratification — and a handy way to avoid trying to paint around all those round shapes! I photographed the process, step-by-step, and will weave it into a lesson on color wash backgrounds. I “borrowed” her spiny wing structure from an Asian flying fish.
There’s nothing fancy about the boat-tailed grackle, a lanky relative of the blackbird and the oriole. Grackles populate the coast from Texas to Long Island, and are the goats of the bird kingdom — they will eat just about anything they find, from small crustaceans to scavenged dumpster fare.
But if you have a hankering to try drawing an iridescent surface, the boat-tailed grackle is your ideal model. A sheen of shimmering blue, purple or copper play over these birds in sunlight. Microscopic structures on their feathers break light apart, like a prism, and create a reflected rainbow.
(This fellow was drawn with Prismacolor colored pencils on medium-weight Bristol vellum. He was the demonstration drawing for my online course, Birds in Colored Pencil.)