A two-day workshop with Val Webb
Friday, January 9 from 1 to 5pm
A two-day workshop with Val Webb
Friday, January 9 from 1 to 5pm
The autumn breeze that stirs stalk and leaf in this 18th Century garden carries a drowsy hint of lavender. Four sprawling raised beds are arranged in the good German tradition: a square hemmed with pickets, divided by a stone pathway in the shape of a cross.
It’s early October in the kitchen garden at Schifferstadt, an imposing Maryland farmhouse built in 1758. Most of the season’s harvest has come and gone, leaving brown skeletons to rattle their dried-out seed heads in the chilly sunlight. But the hardiest botanicals are still green and several remain stubbornly in bloom: French lavender, flowering tobacco, calendula, yarrow.
Nearly three weeks into my road trip, I’m now in the valley just beyond the easternmost ridge of the Blue Ridge Mountains, not far from the presidential retreat at Camp David. I’m gathering material on heirloom plants for my upcoming online course, The Heirloom Garden in Colored Pencil. And so I spent an afternoon sharing the Schifferstadt plots with the bees and mantises, marveling over colonial plants I rarely see in my own subtropical climate zone.
The biggest plantings were those varieties offering the widest range of practical uses in the farmer’s household. One particularly choice slice of garden real estate was occupied by Lady’s Bedstraw (Galium verum), a feathery groundcover with an astonishing job description: it is a vegetable rennet for making cheese, a delightfully honey-scented mattress stuffing material, the roots produce red dye and the flowers yield a yellow hair rinse reputed to be popular with young milkmaids.
I’m traveling in my camper studio, “Beatrix,” with two canine co-pilots, Atticus and Jo. Two weeks ago, we made our way up through the fall wildflowers of Georgia and Virginia to spend some time in the rolling ridges near Washington D.C. Tomorrow, we’ll turn the steering wheel southward and roll down through Tennessee and Mississippi, back home to coastal Alabama and the little farmhouse at the end of the road. I have lots of fresh material for the Heirloom Garden course, courtesy of Maryland’s abundant flora. It has been a good journey.
Old-fashioned flowers and their pollinators, including bees and butterflies, will be the focus of a new 10-lesson online course beginning November 3. “The Heirloom Garden in Colored Pencil” will provide detailed, step-by-step instruction in seeing and accurately drawing a wide range of flowering plants in graphite and colored pencil. No previous art experience needed.
The course is designed to be “work-at-your-own-pace.” Lessons will post weekly on a password-protected site, and students have a five-month window (through April 3) to complete all 10 lessons. Personal instructor feedback and guidance is provided through email, as often as you wish.
The cost of the course is $65. To sign up, email email@example.com.
I always include chickens in my online courses on drawing and painting birds. There are so many things that make a hen fun to draw — scaly toes, fierce beady eyes, all those feathers — and everyone has a basic understanding of chicken anatomy. This lovely girl was a demo for the current session of Birds in Watercolor and Beyond.
I know, I know… ink and gouache resist was supposed to come several weeks later in my course schedule for “Birds in Watercolor and Beyond.” But I just couldn’t wait to share it. My all-time favorite painting technique, its inky outlines and sudden transformation (as the result of spraying it with a garden hose, the best part of the whole process) remind me of my years spent carving colorful raku tiles. There’s more information on the process in an older post.
I’m in the lake country of central Florida this week, painting some of the local avian citizens in preparation for the upcoming online course, Birds in Watercolor and Beyond. I sketched these sandhill cranes, an adult and a juvenile, this morning. Now I’m making a quick color study in watercolor and white gouache. (I’ll post another image when it’s finished.)
Sandhill cranes are abundant here: they stalk along the roadsides and peer in through patio doors. They make a rapid, beeping call like a flock of chatty space aliens. At four feet tall, they can easily look into your car window while you wait in line at the drive-through. They are ideal drawing subjects.
…and they’ve been keeping me very busy over the past few weeks, as my “Draw and Paint Fairies in Nature” online course rolls along. I’ll soon be turning my attention (and my pencil) back to other subjects. I’ll re-offer “Drawn & Decorated Watercolor Lettering” beginning April 28, and “Birds in Colored Pencil” beginning May 12. Yay!
What do you get when you combine figure drawing, plant/animal/insect sketches, basic watercolor techniques, drawing natural habitat — then season the mixture with fairy tale illustration? An interactive online course called Draw & Paint Fairies in Nature, which begins next week. There are still a few places left in this work-at-your-own-pace, personally guided drawing adventure. Here’s the sequence of our 10 lessons — the “Draw” segment of each is done in students’ sketchbooks, and the “Paint” segment is done in simple watercolor with a bit of colored pencil:
Lesson 1: Where do fairies come from? Draw: Val’s four-step sketch technique, infant proportions, simple facial features, sketch exercise. Paint: Using gouache, making skin tones, glazing and lifting color, baby fairy project.
Lesson 2: How do fairies fly? Draw: Toddler proportions, drawing different kinds of wings, sketch exercise. Paint: Very young fairy in flight.
Lesson 3: Why do fairies love flowers? Draw: Six-year-old proportions, drawing favorite flowers, sketch exercise. Paint: Garden fairy child.
Lesson 4: What do fairies wear? Draw: Older child proportions, creating clothing from nature, creating clothing for fairy royalty, drawing fabric, drawing fairy hats and caps, sketch exercise. Paint: Your own fairy finery.
Lesson 5: Where do fairies live? Draw: Teen proportions, sketching fairy habitats, sketch exercise. Paint: A fairy at home.
Lesson 6: Why do birds allow fairies to ride on their backs? Draw: Adult female fairy proportions, drawing birds, drawing the seated figure, sketch exercise. Paint: Fairy riding a favorite bird.
Lesson 7: Who are the fairies’ other friends? Draw: Adult male fairy proportions, drawing small woodland creatures, sketch exercise. Paint: Fairy with a furry friend of your choice.
Lesson 8: Can fairies live in the water? Draw: Water sprites and naiads, drawing fins and scales, sketch exercise. Paint: Water sprite painted over a toned color wash, a trick for creating bubbles, creating very unusual skin tones.
Lesson 9: Are fairies always young? Draw: Older adult proportions and features, how to show age and wisdom, how to draw gray or white hair, sketch exercise. Paint: A fairy godmother.
Lesson 10: Are all fairies good? Draw: Expressive faces and actions – how to show a sly or mischievous nature, how to tell a story with your drawing, sketch exercise. Paint: A trickster fairy.