A two-day workshop with Val Webb
Friday, January 9 from 1 to 5pm
A two-day workshop with Val Webb
Friday, January 9 from 1 to 5pm
If you have followed my studio blog for a few years, you may remember the monthly printable hand-drawn and lettered Illustrated Garden calendars. They looked like this:
I loved drawing them. I loved sending them out to you. Then my illustration work increased and my online art courses blossomed, and I had to reluctantly put them aside. But you never forgot them… For nearly two years, emails have continued to arrive asking for the calendars to return.
“Please bring them back. My office is in a high-rise in New York City, but I can look at your calendar and feel connected to nature.”
“I loved these calendars! I used them to keep records of planting and harvest at a community garden.”
“Your calendar makes me smile.”
With such encouragement, how can I not draw new calendars for 2015? Sometimes, you just have to leap.
The 2015 Illustrated Garden calendar includes an 8 1/2 x 11 page for each month and will be emailed to you in printable pdf form on New Year’s Day, every inch hand-drawn and lettered in ink, watercolor and colored pencil. Besides lots of garden and bird lore, it marks the full moons, dates of the Solstice and Equinox, along with major holidays and some not-so-major but highly interesting ones.
The cost is $12. You may mail a check* (Val Webb, P.O. Box 2212, Fairhope, AL 36533) or click the button below to order through PayPal:
The autumn breeze that stirs stalk and leaf in this 18th Century garden carries a drowsy hint of lavender. Four sprawling raised beds are arranged in the good German tradition: a square hemmed with pickets, divided by a stone pathway in the shape of a cross.
It’s early October in the kitchen garden at Schifferstadt, an imposing Maryland farmhouse built in 1758. Most of the season’s harvest has come and gone, leaving brown skeletons to rattle their dried-out seed heads in the chilly sunlight. But the hardiest botanicals are still green and several remain stubbornly in bloom: French lavender, flowering tobacco, calendula, yarrow.
Nearly three weeks into my road trip, I’m now in the valley just beyond the easternmost ridge of the Blue Ridge Mountains, not far from the presidential retreat at Camp David. I’m gathering material on heirloom plants for my upcoming online course, The Heirloom Garden in Colored Pencil. And so I spent an afternoon sharing the Schifferstadt plots with the bees and mantises, marveling over colonial plants I rarely see in my own subtropical climate zone.
The biggest plantings were those varieties offering the widest range of practical uses in the farmer’s household. One particularly choice slice of garden real estate was occupied by Lady’s Bedstraw (Galium verum), a feathery groundcover with an astonishing job description: it is a vegetable rennet for making cheese, a delightfully honey-scented mattress stuffing material, the roots produce red dye and the flowers yield a yellow hair rinse reputed to be popular with young milkmaids.
I’m traveling in my camper studio, “Beatrix,” with two canine co-pilots, Atticus and Jo. Two weeks ago, we made our way up through the fall wildflowers of Georgia and Virginia to spend some time in the rolling ridges near Washington D.C. Tomorrow, we’ll turn the steering wheel southward and roll down through Tennessee and Mississippi, back home to coastal Alabama and the little farmhouse at the end of the road. I have lots of fresh material for the Heirloom Garden course, courtesy of Maryland’s abundant flora. It has been a good journey.
Old-fashioned flowers and their pollinators, including bees and butterflies, will be the focus of a new 10-lesson online course beginning November 3. “The Heirloom Garden in Colored Pencil” will provide detailed, step-by-step instruction in seeing and accurately drawing a wide range of flowering plants in graphite and colored pencil. No previous art experience needed.
The course is designed to be “work-at-your-own-pace.” Lessons will post weekly on a password-protected site, and students have a five-month window (through April 3) to complete all 10 lessons. Personal instructor feedback and guidance is provided through email, as often as you wish.
The cost of the course is $65. To sign up, email firstname.lastname@example.org.
I know, I know… ink and gouache resist was supposed to come several weeks later in my course schedule for “Birds in Watercolor and Beyond.” But I just couldn’t wait to share it. My all-time favorite painting technique, its inky outlines and sudden transformation (as the result of spraying it with a garden hose, the best part of the whole process) remind me of my years spent carving colorful raku tiles. There’s more information on the process in an older post.
If you liked the atmospheric effect created by dripping alcohol into watercolor wash in the earlier mermaid post, here’s a very similar drawing with a slightly different background texture. Sprinkling ordinary table salt into your freshly painted watercolor wash makes a rich, grainy texture that looks a little like crystals, a little like foliage. It’s a fun and slightly unpredictable way to make interesting backgrounds. I salted only the top and bottom of this small (4×6) rectangle, so that the middle would be smooth enough to add a fairy and her friend. They were painted in watercolor, with finishing details drawn in Prismacolor (the color is Terra Cotta).
Any type of salt will work. Using coarse salt, such as rock salt, results in a larger pattern. Sprinkle it directly into the wet watercolor layer, then allow it to dry completely. Overnight is ideal. Then the grains of salt can be brushed gently away to reveal the textures beneath.
This simple “profile view while holding something up” is a pose that works well if you are not yet comfortable drawing hands. While it offers plenty of possibilities — she could be holding up a small bird, a flower, a soap bubble, a friendly insect — it’s still rewarding to be able to choose whether or not you wish to paint realistic hands. Click here to see my tutorial on drawing them.
A fun technique that creates a soothing and mysterious atmosphere: put down a rich watercolor wash in two or more shades of blue. Drip rubbing alcohol into the wet paint to create bubbles. Then use only white (or, in this case, white and pale green) to draw your subject. Don’t draw too much –leave parts of the scene to the imagination of the viewer. Fun!
What do you get when you combine figure drawing, plant/animal/insect sketches, basic watercolor techniques, drawing natural habitat — then season the mixture with fairy tale illustration? An interactive online course called Draw & Paint Fairies in Nature, which begins next week. There are still a few places left in this work-at-your-own-pace, personally guided drawing adventure. Here’s the sequence of our 10 lessons — the “Draw” segment of each is done in students’ sketchbooks, and the “Paint” segment is done in simple watercolor with a bit of colored pencil:
Lesson 1: Where do fairies come from? Draw: Val’s four-step sketch technique, infant proportions, simple facial features, sketch exercise. Paint: Using gouache, making skin tones, glazing and lifting color, baby fairy project.
Lesson 2: How do fairies fly? Draw: Toddler proportions, drawing different kinds of wings, sketch exercise. Paint: Very young fairy in flight.
Lesson 3: Why do fairies love flowers? Draw: Six-year-old proportions, drawing favorite flowers, sketch exercise. Paint: Garden fairy child.
Lesson 4: What do fairies wear? Draw: Older child proportions, creating clothing from nature, creating clothing for fairy royalty, drawing fabric, drawing fairy hats and caps, sketch exercise. Paint: Your own fairy finery.
Lesson 5: Where do fairies live? Draw: Teen proportions, sketching fairy habitats, sketch exercise. Paint: A fairy at home.
Lesson 6: Why do birds allow fairies to ride on their backs? Draw: Adult female fairy proportions, drawing birds, drawing the seated figure, sketch exercise. Paint: Fairy riding a favorite bird.
Lesson 7: Who are the fairies’ other friends? Draw: Adult male fairy proportions, drawing small woodland creatures, sketch exercise. Paint: Fairy with a furry friend of your choice.
Lesson 8: Can fairies live in the water? Draw: Water sprites and naiads, drawing fins and scales, sketch exercise. Paint: Water sprite painted over a toned color wash, a trick for creating bubbles, creating very unusual skin tones.
Lesson 9: Are fairies always young? Draw: Older adult proportions and features, how to show age and wisdom, how to draw gray or white hair, sketch exercise. Paint: A fairy godmother.
Lesson 10: Are all fairies good? Draw: Expressive faces and actions – how to show a sly or mischievous nature, how to tell a story with your drawing, sketch exercise. Paint: A trickster fairy.