Remember this fellow, who had just been started in an earlier post? I thought you might like to see him completed. I love using this watercolor technique: first painting the entire paper with the background color, then using clean water and a dry brush to lift away the lighter areas. Once that’s done, the detailed work begins with a #4 round brush and some rich browns. Highlights in white gouache are added in a final step.
Just started a burrowing owl in watercolor. I always paint the eyes first — I think they are my favorite part of the process. Burrowing owls are the nonconformists of the owl family: often active during the day, they can sprint on their long legs when necessary. They nest and roost underground, inhabiting burrows abandoned by rabbits or prairie dogs. Their diet, too, is different from the typical owl menu. In addition to insects, frogs and mice, the little burrowing owl also dines on fruits and seeds. A particular favorite treat is the prickly pear cactus.
I always include chickens in my online courses on drawing and painting birds. There are so many things that make a hen fun to draw — scaly toes, fierce beady eyes, all those feathers — and everyone has a basic understanding of chicken anatomy. This lovely girl was a demo for the current session of Birds in Watercolor and Beyond.
I know, I know… ink and gouache resist was supposed to come several weeks later in my course schedule for “Birds in Watercolor and Beyond.” But I just couldn’t wait to share it. My all-time favorite painting technique, its inky outlines and sudden transformation (as the result of spraying it with a garden hose, the best part of the whole process) remind me of my years spent carving colorful raku tiles. There’s more information on the process in an older post.
I’m delighted to offer a new workshop, “Draw and Paint Monarch Butterflies,” at beautiful 5 Rivers Delta Resource Center on Saturday, January 12. Working from actual specimens, with step-by-step guidance, learn to create a realistic monarch using gouache and colored pencil on handmade buff paper. No experience is necessary and all supplies are provided. Class size is limited to 10. The cost is $65, and illustrated gift certificates are available if you plan to use the workshop as a Christmas gift. Email me to reserve a spot.
Two more things about the workshop: We’ll meet from 10 to 4, so bring a sack lunch to enjoy on the deck during our midday break.
Also, it’s important to me that you know our butterfly specimens were not wild-caught and killed. They were raised from egg to caterpillar to cocoon to adult, allowed to live a natural life and then after they died were carefully collected for our use. Butterfly farming preserves habitat and discourages destructive land use; it can also be helpful in supporting threatened species. Just so you know.
It’s not your typical botanical drawing course. My new online class series, “Draw & Paint Six Culinary Herbs,” will incorporate all the things that make the humble kitchen garden a place of a thousand small delights. In addition to learning to create softly shaded pencil studies, spirited ink-and-wash sketches and richly layered color renderings that combine watercolor and colored pencil, we’ll also explore the history and folklore associated with our six herbs. Each lesson will include art demo videos, printable illustrated instruction pages and photo tutorials posted on our private class website — as well as illustrated tips on growing, harvesting and using our culinary collection. I’m also sharing my own stock of organic herb seed (from my garden, while supplies last) with anyone who asks when they sign up. Email me for a list of available varieties.
The course is designed so that you can work at your own pace, without ever feeling rushed. Lessons will appear weekly beginning January 7 on a private, password-protected website. All 10 lessons will remain there until May 6. During those four months, you have access to the lessons anytime you wish to work on them. Feel free to take a week off (or even a month) for other activities. You’ll still have plenty of time to complete the course. Each lesson will include:
- My video demo with step-by-step guidance for each new technique
- Printable color instruction pages
- Examples for each lesson, created to guide and inspire you
- Personal help when needed, and feedback when each lesson is completed
- Access to our own private online group where you can share comments and images with others taking the course around the world. (Participation in the group is optional. No instruction will take place there.)
Art topics covered in the course include:
- How to develop the habit of looking deeply at your subject, so that you clearly see and understand its structure
- Three steps to creating a quick and accurate foundation sketch
- How to draw leaves in perspective
- My “gentle pencil” technique for softly shaded pencil studies
- How to combine ink and wash for fast and elegant herb drawings
- Traditional layering of watercolor and colored pencil to build a richly detailed rendering
- Color matching and color mixing – including highlights and shadows
- The structure of an herb plant, and some basic terminology
Absolutely no experience is necessary. The supply list is simple, and contains no exotic materials. (In fact, if you recently took my online watercolor lettering course, you already have the brushes you’ll need. You can check them off your list!)
What about technology? Well, you will need four basic tools to “attend” this online class:
- A computer, or access to one
- An email account to receive informative messages or send in your work for feedback
- A way to print out your illustrated instruction pages
- A way to send images of your completed projects to me for feedback. You can use either a scanner or a digital camera to create an image, then email it.
The cost of the entire course is $50, which is payable by personal check, money order or through PayPal. (To use PayPal, let me know you want to join the class and I will send you a secure PayPal invoice with an embedded “pay now” button.) Email me to sign up, or if you need additional information. See you soon!
I love coneflowers… and my very favorite is Echinacea purpurea. I grow it in my garden, draw it, paint it and carve it into clay tiles. This one was painted in gouache, allowed to dry thoroughly, then brushed with a coat of waterproof India ink and scrubbed under running water. The final step was to add a bit of ink detail on the leaves and petals with an 01 Pigma Micron drawing pen. I like the final effect; it reminds me of vintage illustration. As soon as my busy studio schedule slows a tiny bit, I will post a step-by-step tutorial, so you can try it out for yourself.
I was late planting sunflowers this spring, so while the cut-flower fields at the edge of town are already resplendent with buttery yellow blooms, mine are still all stalks and leaves on the ascent. I always try to include my favorite, Evening Sun (Helianthus annuus) in the garden patch mix. Velvety red petals with a touch of yellow – and dense centers the color of bittersweet chocolate – make them wonderful to draw. This one is painted in gouache and India ink on heavy watercolor paper.