Sometimes staining can be a good thing

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art, art classes, botanical art, creativity, flowers, how to draw, illustration, sketchbook, Val Webb

Speaking as someone who once spilled an entire mocha latte down the front of my shirt 15 minutes before I was due to speak before a workshop group, I can vouch for the staining power of coffee. But it’s that very characteristic that makes coffee a terrific alternative painting medium — it stains white paper with a gorgeous (and delightfully aromatic) brown tone similar to a watercolor wash. This page in my 2008 sketchbook is painted and lettered with three varieties of my favorite beverage:

I love drawing and painting on stained paper, with its raw warmth and sometimes-bark-sometimes-leather texture. We used earth-based acrylic pigment to stain sheets of watercolor paper in my recent North Carolina workshop. Dogwoods were blooming in the mountain coves, so we drew them in layered colored pencil and charcoal:

This week, I’m staining lots of paper in front of a video camera in preparation for the upcoming Botanical Sketchbook Painting course. The best part is the fact that you never get the same result twice — each sheet is uniquely smudged and pocked, each with its own rustic beauty. The second best part is the fact that… well… someone has to drink all that leftover coffee.

Drawing workshop in Mississippi

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art, art classes, birds, creativity, drawing, illustration, Val Webb, workshops

I will be heading up to the Pearl River delta in March to teach “Drawing Native Birds of Mississippi,” a live workshop hosted by the West Point / Clay County Arts Council. Here are the details:

Drawing Native Birds of Mississippi
Saturday, March 21, 2015
Louise Campbell Center for the Arts
West Point, MS
$65

No experience necessary - this class is open to all levels of
art experience. See and enjoy Mississippi's migratory birds in
a whole new way as, with step-by-step guidance, you learn to
use traditional illustration techniques to create a realistic
drawing. Start with a series of fun sketching exercises, then
complete a finished bird drawing using layered charcoal and
colored pencil.

All art supplies are included so that everyone can expect
consistent results. Each student will be provided with a supply
of drawing paper, 2B pencil and kneaded eraser, tinted pastel
paper, black charcoal pencil, white pastel pencil and a set of
illustrated tutorial pages to keep.

Please bring a sack lunch.

Pre-registration is required. To sign up, call Kathy Dyess 
at 662-494-5678.

Because you asked: 2015 calendars!

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art, birds, botanical art, butterflies, colored pencil, creativity, drawing, gardening, illustration, Val Webb, watercolor

If you have followed my studio blog for a few years, you may remember the monthly printable hand-drawn and lettered Illustrated Garden calendars. They looked like this:

And this:

I loved drawing them. I loved sending them out to you. Then my illustration work increased and my online art courses blossomed, and I had to reluctantly put them aside. But you never forgot them… For nearly two years, emails have continued to arrive asking for the calendars to return.

“Please bring them back. My office is in a high-rise in New York City, but I can look at your calendar and feel connected to nature.”

“I loved these calendars! I used them to keep records of planting and harvest at a community garden.”

“Your calendar makes me smile.”

With such encouragement, how can I not draw new calendars for 2015? Sometimes, you just have to leap.

The 2015 Illustrated Garden calendar includes an 8 1/2 x 11 page for each month and will be emailed to you in printable pdf form on New Year’s Day, every inch hand-drawn and lettered in ink, watercolor and colored pencil. Besides lots of garden and bird lore, it marks the full moons, dates of the Solstice and Equinox, along with major holidays and some not-so-major but highly interesting ones.

The cost is $12. You may mail a check* (Val Webb, P.O. Box 2212, Fairhope, AL 36533) or click the button below to order through PayPal:

 

*If you choose to send a check, be sure to include the email address where you would like to receive your calendar.

My new favorite bird…

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art, art classes, birds, colored pencil, drawing, illustration, Val Webb

…is the Lilac-Breasted Roller, the national bird of Kenya. This dazzling fellow is an ideal subject for colored pencils. This 4-by-4-inch Prismacolor drawing was a demo for my online Birds in Colored Pencils course. My new winter/spring online class schedule will email out late next week. Yay!

Drawing, drawing, drawing

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art, art classes, birds, cats, dogs, drawing, how to draw, illustration, Val Webb

I draw lots of printable instruction pages for my online courses, which means spending hours each day pushing that 2B pencil. So what so I do when I need a break? I draw. I can’t help it — it’s my favorite thing to do!

 

Why I love colored pencils

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Alabama, art, birds, colored pencil, drawing, fairies, illustration, Val Webb

Heron Fisherman, drawn in Prismacolor pencil

I live on a hill, and the street that runs past my front door ends abruptly at the edge of the bay, four blocks down. It’s an easy walk, early in the morning, to watch pelicans dive for their breakfast and hear gulls laughing as they sail past overhead. And in the shallows, when the water is calm, the great blue heron stands motionless. I suppose he is waiting for the gleam of careless minnows in the water at his feet, but he might as well be posing for my sketchbook. A beautiful bird, bold enough to ignore a small woman nearby with a fistful of colored pencils, he makes a great model.

I’m honored to be the featured artist in the upcoming June issue of Colored Pencil Artists magazine — an issue that will focus on birds in colored pencil. I drew this heron, and his fisherman friend, with that event in mind.

The heron is drawn in Prismacolor Premiere, the soft-core colored pencils I like to use. After making a foundation drawing in Dark Umber — including all the major shadows and textures — I used just five other colors, layered on over the Umber, to finish the bird. His beak is Yellow Ochre, shaded gently with Terra Cotta (the same combination is used for his fierce eye). I don’t like to use pre-formulated grays, which seem a little flat, but prefer to blend a warm and vital gray by mixing Light Peach and Cloud Blue.  All the gray areas on this fellow are created with those two colors. Then I used black, of course, for his dark mask and (very sparingly) to deepen the richest shadows.

The fisherman’s wings are based on the lovely (and enormous) polyphemus moth, a silkworm moth that is common where I live. The richly pigmented, slightly dusty feel of colored pencil is perfect for drawing lepidopterans, from monarch to cabbage moth.

For the aspiring artist on your holiday list…

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art, art classes, botanical art, colored pencil, creativity, drawing, fairies, how to draw, illustration, Val Webb, workshops

Last night, I finished up the drawing for my new gift certificate. Sign someone else up for the online course “Draw & Paint Six Culinary Herbs” and I’ll send them one of these. (I will add hand-lettered course info and your message – and I’ll even decorate the envelope with a little sketch!) Starting Jan. 7, the course is 10 lessons with video and personal feedback, work at your own pace. The cost is $50. No experience necessary… something fun and different for the aspiring artist in your life.

Orange you glad it’s colored pencil?

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Alabama, art, botanical art, colored pencil, drawing, how to draw, illustration, Val Webb

If you’ve been wondering whatever became of those pencil studies of citrus fruit, here’s a peek at the final result. This old-fashioned fruit crate label was commissioned by Mobile Botanical Gardens to promote a slate of upcoming events celebrating citrus. Like the labels of old, the image measures 10×11 inches. It’s all in colored pencil, using a “speed pencil” technique that I love — all the shading is done in an “underpainting” layer using just Dark Umber pencil, then the color is added at the last in a single layer. The wonderful shadows and highlights are simply the result of the umber drawing showing through the color. Below, the peeled orange is still in the umber stage but the shiny satsuma orange next to it has already received a layer of color… just a single layer of orange pencil! Thanks to the textures and shadows already shaded beneath, you get a lush and complex result. It’s a great alternative to the traditional slow layering of different colors to build depth.

Citrus: some pencil studies

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Alabama, art, botanical art, drawing, food, gardening, illustration, sketchbook, Val Webb

I love drawing the texture of an orange peel. It requires a very light touch and some time spent looking deeply at surface light and shadow. These studies in pencil are a preliminary to a color illustration that will combine all four. Can you name them all? (The answers are at the end of this post.)
The first sketch is a satsuma. The second is a satsuma, partially peeled. The third is a Meyer lemon. The fourth is a pair of kumquats. Now I’m hungry.

Marion

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Alabama, art, drawing, illustration, journal, sketchbook, Val Webb